We are excited to announce our four “Cape & Gown Gala” honorees who will be celebrated at our upcoming fundraising gala on Sunday, December 8 at the Skirball Cultural Center. As advocates and supporters of underserved children, families and communities, our honorees were selected for their humanitarianism and impact to society. Today, we have the privilege of speaking with Tim Disney, Entrepreneur & Philanthropist, to get to know him better and to hear about why he believes in giving back.
Thank you, Tim, for making time to meet with us. We are so grateful for you and all you do to champion the rights of the children and families we serve. Could you please start off by sharing about your illustrative career as a creative, filmmaker and also as a philanthropist? Please tell us about yourself.
I’ve been lucky enough to have a varied career or a variety of different careers – some in creative fields and I’ve been able to go devote a fair amount of time and attention to nonprofit work which has been extremely gratifying. Through that, I’ve met some truly incredible people like the folks here at Children’s Institute and that’s a part of my life that I’ve devoted more energy to as the years have gone by.
As for my involvement in philanthropy – well, I’d say I have an ambivalent relationship with the philanthropy idea. It’s something that’s, deeply part of our social structures in this country. I wish it wasn’t the case. I wish that we structured our government and society to take care of these core needs, families and children, rather than relying on the private sector to give or not give to support them but that’s not the way it’s structured right now.
So, I feel like, I am hesitant to use the word obligation, but it does feel imperative that folks who have the means support organizations such as Children’s Institute because otherwise these children and families would go without the help they need. At the same time, I think I have to keep in my mind, and we should all keep in our minds that it doesn’t have to be like this, and we ought to work for a more sustainable solution to these problems while also doing what needs to be done in the moment.
There’s something problematic about the implied hierarchy of donor and patron and the recipients of that and I don’t feel comfortable with that. I would call myself an enthusiastic and simultaneously, a reluctant philanthropist in that sense.
You’ve talked about kindness as a way out of a dark place. Could you expand on that and share what it means for you to be that source of light or kindness in dark places?
The ultimate human characteristic is others-directedness that exists along with the urge to look out for ourselves. We’re all battling in this middle ground – between both instincts that we all have. I find that, especially as the years have gone by, I try to be of service to other people and that my life is better when I serve others. It’s a counterintuitive idea that if I follow that principle, my life gets better but of course, that’s not my first instinct.
When I wake up in the morning, my first thought is, “how do I get what I need today?” That’s my first thought and probably everybody else’s first thought. Especially when things are challenging or scary, that’s the place that we go and so those are the moments where I really have to make an intentional, mental shift and be others-directed.
Now, for a more lighthearted question. Could you tell us about yourself and your contributions to California Institute of the Arts and SCI-Arc?
California Institute of the Arts (CalArts) was created by Walt Disney – it came from an idea that he had towards the end of his life to create a college, that brought all the arts together in one place. This didn’t really exist at the time and he died before he was able to realize that dream. My grandfather who really was not an arts guy but because of his loyalty to his brother, Walt, he followed through on that idea to create CalArts in the early 70s. There’s a family connection to it – my father served on the board for many years and when I was about 30 years old, he said, I’m tired of doing this so why don’t you do it and that’s how I first got connected to it.
I was always aware of CalArts and I was an art history major myself, so I felt a strong connection. But it wasn’t until that moment that I became directly connected to it. I served on the board for 29 years and that was one of my most enriching experiences. I also served on the board of another college called the Southern California Institute of Architecture (SCI-Arc) which reflects my connections to education and college.
Could you highlight a certain involvement you’ve had in education that you’re proud of?
I’d say that it would involve making it possible for folks without a lot of money to attend school. Art school is maybe the most expensive form of education. You can’t have large thousand student lectures – art requires small classrooms consisting of a highly qualified mentor teacher or artist and that classroom format is very expensive to deliver.
Additionally, art school requires all sorts of specialized equipment. As we field applications, we go based on portfolios rather than grades and scores as grades and scores are strongly correlated with socioeconomic status. By looking at portfolios or assessing people’s talent, you can kind of get away from the socioeconomic correlations that most colleges are looking for.
We think that we identify the kids as the most talented who also represent the general demographics. It’s evidence to me that when at birth, in the delivery room, when God is handing out gifts, he’s doing that equally. That, and all of the stuff that happens between then and the 11th grade where the kids are applying for college – that’s where the differentiation takes place for lack of opportunity, proper nutrition, resources, etc.
That’s why I’m very interested in Children’s Institute because they’re addressing those needs from the earliest phases where the pathways get set for kids and families and at the same time, the time when most help is needed. By the time students are in 11th grade and applying to college, lots of things happen. On one end, there are extraordinary kids who managed to do extremely well despite challenging circumstances early on but those are the exceptions.
If you can get involved in a family’s lives very early on, like what Children’s Institute is doing, you can set kids up for success – to reach their full, natural potential. I think it’s a tragedy in this country that we’re essentially squandering 60% of the human capital of the country by under-investing in very basic things including housing, education, health care and other basic needs.
Children’s Institute is a large organization for its type, but it serves a tiny fraction of the overall need. It’s very important that Children’s Institute succeeds because it sets a model that other people and organizations can follow.
What connects you to Children’s Institute and what is your message of encouragement you’d like to share with other donors?
Children’s Institute’s model appeals to me because it addresses the entire family system and the community, more broadly. It’s wonderful if organizations operate programs for children and address children’s needs because those are essential, but I don’t think that’s going to be successful unless you are also supporting families and communities at the same time. Unless you’re helping the whole family succeed, it’s not going to work or at least as well as it should.
I’m proud to be associated with Children’s Institute and the work they’re doing. I’m flattered and honored that I am an honoree. I would encourage other folks who have the means to support nonprofits such as Children’s Institute to support this organization. If you care about the health of society, in general, and you care about economic development, public safety, public health, and related issues, this is really where it all starts.
It starts with families, homes, children and education. All of the other things that we’re trying to address, including housing issues, are symptoms of what happens with families and children in the home. I believe in the model that Children’s Institute is using because they are addressing those issues in a holistic way and sticking with people and giving them the broad range of services that they need so that they can go out there and succeed.
And I think this kind of work has a multiplier effect. Families that are on the lower end of the economic spectrum that are able to launch their kids into life successfully – those kids go on and they have kids and they bring these values and these skill sets into their family’s lives, and it grows from there.
If you would like to give back to the community while enjoying an evening celebrating our honorees at our 6th Annual “Cape & Gown Gala”, you can purchase corporate sponsorships or individual & group tickets here. Our “Cape & Gown Gala” will take place on Sunday, December 8 from 5-8pm at the Skirball Cultural Center.
Proceeds to the gala will go towards the services and programs helping the underserved children and families in our community.